These films both held a lot of promise but ultimately illustrate the idea that sometimes the sum of a film is not greater than its parts. If you had a recipe like: one part Hugh Jackman, one part Steampunk art direction, one part underwater fight scene — instant hit, that’s what you’d get. It’s not lost on me that a film called reminiscence, which includes all these ingredients, will soon be forgotten.
Reminiscence, which features spectacular special effects of a not-too-distant future where cities are half-submerged in water, lags due to the self-indulgent and confused tone of the story. It’s a dystopian action/comedy/romance/thriller/sci-fi — and none of these. It also needed to be at least 30 minutes shorter. I held in check the urge to walk out. And I’m the type of person who would enjoy watching a film where grass grows. It pushed my patience as the director followed up every loose strand and tacked on egregious monologues regarding Greek mythology. Not necessary. As was the constant voice over narration by Jackman. It became an almost instant parody unfolding in real time before me. A disappointing experience.
The Protégé at least had some interesting fun and games involving the incomparable Michael Keaton and the talented Maggie Q. Though at some point in this film it becomes apparent that the story hinges on an absurd fantasy that Maggie Q’s character, the take-no-prisoners fighter and intellectual Anna, would be interested in Keaton’s Rembrandt, who seems to be wearing an ascot. That’s when you realize it’s a story tailored for old guys though ostensibly featuring a strong female lead. The fight scenes with Keaton and whoever his stunt double is were ridiculous. On the other hand, the Maggie Q action sequences where on par with Die Hard and fun to watch. The film goes off the rails with a shark jump to rival the original shark jump of Arthur Herbert Fonzarelli’s. And Act III becomes predictable, preachy, involves gratuitous violence and is irrelevant. The filmmakers let this one slip through their hands and there was nothing that the great acting of Samuel L. Jackson could do to save it. Another bummer.