Stillwater

I might be late to the party but Matt Damon is a great actor. I think anyone could do the Bourne Identity stuff. Is that even acting? That’s a lot of hours in the gym so you can look like your stunt double. But Stillwater. That’s acting. The story does get trying at times. Forced suspense that carries on for too long. But there are more times where you find yourself asking, “Where is this going?”, in a good way.  The character of Virginie, played by Camille Cottin, who was outstanding in the Netflix series, “Call Your Agent!”, was a strong counterpoint and anchor Damon’s character Bill. But the scenes of Bill and Virginie’s child Maya (Lilou Siauvaud) goofing around, sharing language and advices and just playing the roles of a parent and child, absolutely stole the movie. They weren’t cliched scenes. They were real life and funny. Bittersweet really.

Which is how I would characterize this film. The characters are all flawed, very human. And even if the story twists seem improbable at times, the feeling of the place, in this case Marseille, and the everyday lives of the characters come to life. You can imagine yourself there. You can understand why the “fuck-up” can’t stop being one, though he is trying everything he absolutely can not to be. You can understand the philosophy of acceptance that the character of Allison (Abigail Breslin), tries to explain to her Dad from behind bars.  “It’s not about justice, it’s about peace.” 

I was surprised at the complexity in the story and of the characters, the humor in the film and the drama. A trip to Stillwater is definitely thought provoking and time well spent. 

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