L&D Picks for 2016

Here is our long-awaited (mostly by us) list of the top five movies of 2106, taken from the universe of movies viewed by both L & D in 2016.   The rankings are based on a proprietary L&D weighting formula that you can just bet Netflix would kill for.

And here we go:

6. (tie) The Girl on the Train:  *The Girl on the Train* was reminiscent of the great French New Wave Director Claude Chabrol who concerned himself with the police procedural, bourgeois family life in small towns and murder. It also crossed paths with the neurosis found in many of the female leads of Hitchcock’s films and with the idea of a society turned against the protagonist, also a mainstay of Hitchcockiana. Again, going in with low expectations, I thoroughly enjoyed this film and found the production values, cinematography, set and costume design, makeup, story, editing, acting, sound design and even score (by The Simpsons theme own Danny Elfman) to be above average if not under par. So why does this film not get the hype it deserves? Well dammit it should. Perhaps a better title would have been “Murder on the Hudson”.

6. (tie) The Arrival:  (Marketed outside the US as *The Giant Space Turd Movie*)  *The Arrival* revisits the standard alien romance drama with the strong female lead made famous by Jodie Foster in *Contact*, but without the benefit of Matthew McConaughey’s Matthew McConaugheyness. Only this time, it’s Amy Adams as the lead egghead, and she is pretty terrific. If you like aliens and you like romance, there is probably something for you here.

4.  Rogue One:  The last Star Wars movie was a greatest hits album and so of course people liked it, because, who doesn’t like the hits?  But *Rouge One* was the story I have been waiting for. Not to mention I am a big Diego Luna fan. His company produced a film I worked on in Mexico called Voy a Explotar. I was fortunate enough to meet him on a rooftop in Guanajuato during production. Great guy and actor. One of my favorite films of his is called Rudo y Cursi, a fútbol comedy well worth watching. But hey, you are here to read about *Rouge One*. Yes, I knew the ending but I still enjoyed the ride getting there. And basically I enjoyed everything about it. We watched in 3D and to be honest, I can’t tell the difference. But is it because it’s so good? If it’s working, it’s working in a subtle way and maybe that’s for the best. Except for the credits. Credits in 3D are always amazing. (L)

3.  Snowden:  Oliver Stone hit it out of the park. This film could easily have been a geeky dud, filled with computer screens and talking heads but it was a classic Hollywood film wrapped around a social document told in an arresting, cinematic way. Not to mention fantastic, measured performances including Nicholas Cage. It was impressive. Everyone who watches this film will get something worthwhile out of it.

1.   (tie)  Hell or High Water:  *Hell or High Water* delivers on its promise to be the best modern western since *No Country for Old Men*. Ben Foster deserves leading-man credit for keeping his usual psychotic character under wraps to let the movie happen around him. Jeff Bridges reprises his role of Rooster Coburn as the surly,aging lawman, though he too is a little more reserved in this role. Chris Pine is a better Captain Kirk than sad sack, and is too good looking to be terribly convincing, but he does alright. We haven’t seen this all before, but it seems like we’ve seen most of this before. Nonetheless, there are a few surprises, and the compelling plot and characters, along with some reasonable action sequences and a number of provocative thematic elements, mask some of the weak links of the story line. Of particularly interest is the Evangelical Christian Native American Texas Ranger, who didn’t deal well with Bridges’ many ethnic slurs. This is definitely one of the best couple movies we’ve seen this year.

1.   (tie)  Deadpool   With action sequences targeting 15-year old boys and jokes targeting 40-something men, it’s probably no big surprise that it was a hit with the L&D crowd.  If you like the opening sequence, you’ll probably love the rest.

lnd

Our thank yous to the Marcus Valley Cinema for $5 Tuesday and $5 student Thursday nights, which made this all possible.

See you Tuesday on the barcalounger!

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